Happy industry

photoIt’s time for me to take a shower, so I tell my 8-year-old I’m heading upstairs. He says he’s going to stay downstairs at the little table he shares with his sister by the big sunny window, the table where they do art project after art project. He’s going to draw.

I climb the stairs and, before I shower, I check my email and get tangled up in some work-related stuff. As I’m trying to muddle through a problem, sending off emails and double-checking case notes, I hear whistling from downstairs. Sometimes tuneless, sometimes melodic, always cheery, it’s the sound of a child doing what children love to do most: being creative, making something, exploring the space between his own imagination and the world around, his discoveries reflected in what he puts on the page. I can hear my son drawing away happily, his cheerful bird call signaling to the world that he is drawing at the table by the sunny window and loving the moment. It’s the sound of happy industry.

My son and daughter are very different kids. My son wears contentment on his sleeve, humming and singing and whistling while drawing or painting or reading or building or even eating. Yes, he hums when he is eating something that he really loves – nice feedback for the cook. My daughter shows her contentment differently, by channeling her natural intensity into an activity, be it art or reading or writing or pretending. She just goes deeply into whatever it is, and it’s her involvement and concentration that tell me that she’s truly happy.

Both of my kids seem happiest when they are creating. Children love to make stuff. They are industrious. It’s not the adult version of productivity, which is so often marred by anxiety and pressure, banality, repetition, performance metrics and high-stakes outcomes. Instead, children pursue happy industry. They eagerly seek ways to interact with the world in a fully active, engaged manner. They turn a box into something to play with; create a small book of drawings; glue together sticks to make a little house; fall into a great book; play school with stuffed animals or dolls; create entire imaginary worlds – it’s all about making something, transforming one thing into something else, learning and engaging, pretending, being active, not passive. A great deal of what they do most naturally is inherently creative. When their version of productivity is devalued and forced to look more like that of adults – e.g., with an over-reliance on performance metrics, high-stakes outcomes (i.e., testing), repetition, banality, pressure – we are getting in the way of their healthy development.

The trailblazing psychologist Erik Erikson conceptualized psychosocial development as a set of stages, each stage framed as a conflict between a healthy developmental step and what happens if that stage is not completed successfully. His theory, unlike other psychoanalytic theories of the day, extended the concept of development across the lifespan and was concrete about what people are trying to accomplish at each stage. The fourth stage of psychosocial development, from ages 5 to 11, he called “Industry vs. Inferiority.” Healthy development in this stage is marked by increasing pride in one’s accomplishments, active engagement with the world around oneself, and a blossoming sense of oneself as competent. In college and graduate school, studying child psychology, I was particularly taken with the sense that children are industrious, and their form of industry is fun and creative and both inspiring and humbling to see.

Historic site: former fort

Historic site: former fort

Under the evergreen tree in the front yard, shadows move in the twilight. My kids and two friends are building a fort out of logs. They move about, staying low under the boughs, pausing and squatting and placing logs, spider-walking around their developing creation. Walls take shape; conflicts and compromises get worked out; gravity is reckoned with when some logs topple and have to be placed carefully anew. Plans are laid, attempted, and reworked. Their discussions are barely audible through the house window. My son occasionally whistles. I’m aware of all of these sounds as the hum of contented kids doing what kids love to do most – it’s the hum of happy industry.

Most days, I would like to walk up a mountain

On the summer day that I hiked it, there were a lot of people at the top of Mt. Chocorua in the Sandwich Range of the White Mountains. I was surprised to see them, because I didn’t hear them from down below, even as I neared the summit. The entire way up the mountain, I had seen a tiny handful of people, yet here were much more than a handful. Most had come up the trail on the other side, and though I knew the mountain was popular, I had no idea that I’d end up among so many people. Groups, some quite large, were sitting all over the boulder-strewn top. A few dogs cavorted among them, showing off their four-wheel-drive agility on the rocks. Despite my surprise and even disappointment at seeing so much humanity so suddenly after such a quiet hike, I also felt the companionability common to hikers. As I reached the top, several nodded and greeted me. I spent a few minutes wandering the mountaintop, making sure to tap my toe on the U.S. Geological Survey summit marker, and eventually settled on a spot facing the Presidential Range to eat my lunch.

Winter-related hazards can await in Tuckerman Ravine, even in late June.

Winter-related hazards can await in Tuckerman Ravine, even in late June.

Mt. Washington’s broad shoulders were visible, though the peak was lost in gray clouds. In a line from Mt. Washington, I thought I could make out Mt. Monroe’s asymmetrical peak and Mt. Eisenhower’s domed pate, and I thought about standing atop each just over a month earlier. The White Mountains of New Hampshire are beautiful and rugged and unpredictable. Though they lack the altitude of the Sierras, Cascades, or Rockies, I sometimes describe them the way I describe certain basketball players: they play taller than their height. They spring from fairly low-lying surroundings, making for plenty of elevation gain. And they sit at a spot where significant weather patterns converge. Dangerously high winds are possible on the ridges and peaks, particularly in the Presidential Range; even when not dangerous, the wind is almost always strong. Clouds can roll in and descend in an instant, taking visibility down to nearly nothing and making you grateful that the high-elevation trails are marked by huge cairns. Those clouds can chill you to the bone, and sudden snowstorms have occurred even in the summer months. Hypothermia is a constant threat. The tree line dips below 4,000 feet. Jutting upward to meet the wind and storms, the mountains help make the weather, and the weather, in turn, remakes the mountains.

Experiencing the Whites is about the weather and so much more. The hikes up to the peaks and ridges run through beautiful forests and along swift streams before bursting above tree line into fields of boulders. On the ridges that run between the peaks, the views on either side stretch out before you in a magnificent quilt of rocks and trees that runs to the next set of mountains. Nestled below the shoulders of Mt. Washington are two vast, steep bowls: Tuckerman Ravine and Huntington Ravine. Curved and oriented perfectly to capture winter storms, Tuckerman develops a tremendous snowpack during the winter, and the trail up the headwall doesn’t open until approximately midsummer. Huntington is steeper, harsher, riven and jagged. The hike up it is considered one of the most challenging in the Whites; hiking down is too difficult and dangerous for most. Roughly between the two ravines runs a trail through the Alpine Garden, a rocky meadow of sedges marked by a variety of alpine flowers, the likes of which I’ve only seen at much higher altitudes in the Sierras, Cascades, and Rockies.

Tuckerman Ravine from the ranger station near its base.

Tuckerman Ravine from the ranger station near its base.

The trails up to the ridges and peaks of the Whites have very few switchbacks. They just go up, which sounds practical enough when I write it here but can feel kind of insane when you’re actually hiking. When I was in high school in Los Angeles, where we were perhaps a little too “blessed” by interesting geological features and events, one of my best friends and I frequently went hiking in the Santa Monica Mountains. The Santa Monicas run right to the sea, and parts of them – even near the city – are remote enough that you can lose yourself in them. That’s all we wanted to do. One of our favorite hikes started on the Chumash Trail, an old Chumash Indian route that shot straight up to a ridge from the coast on a thin ribbon of soil through low brush and prickly pear. No switchbacks. Trails in the Whites are like that, too, but longer and far rockier. On the Chumash, I was always surprised to turn around after just a little while, quads and calves burning, and see that the car already looked tiny far below next to the grey of the Pacific Coast Highway, the yellow sand, and the sparkling ocean. In the Whites, the surprise comes as you suddenly emerge above tree line into the alpine domain, and you turn and take in a view that makes you wonder why you hadn’t done all of this sooner.

Most days, I would like to walk up a mountain. That feeling started for me in Yosemite National Park and the Mammoth Lakes region of the Sierras, and it continued in the Santa Monicas and Lassen Volcanic National Park and the Cascades and the Rockies. The Whites have found a place in my heart, too, even though my experience of them is limited to just a couple of trips. I plan to take many more over the years, including this summer.

It is rare for a day to go by without me thinking about how nice it would be to be heading upward.